March ’10

Finished up mixing and mastering for the new Jaill album which will probably be out by summertime on SubPop Records.

Nearly finished mixing the new Cameron McGill & What Army album, a few small adjustments and some mastering and it should be good to go.

Finished mixing the Muddy Udders album I recorded last year.

Finished up mixing and mastering the new Goodnight Loving album that will be out this summer on Dirtnap Records.

Did some final mix adjustments and mastering for the Riverdales 5th album entitled “Tarantula”, it will be this summer on Recess Records.

I also did a bunch of mastering projects including Rocketboy 55, Group Of The Altos, Fahri, The Midwest Beat, This Specific Dream and Conrad Plymouth and Noah Harris.

Feb ’10

The studio website is up….it’s just a temporary page but it’s a start…..

You can see it HERE.

Cameron McGill and What Army have been here, hard at work finishing up the recording phase of their new record.

I just about wrapped up mixing the new Riverdales album “Tarantula” due out Recess Records by summer.

The Goodnight Loving have been in the Mystery Room recording the rest of their new album due out this summer.

I mastered several projects including new releases for The Eugene Smiles Project, At Latl, Trent Fox & The Tenants, Laura Llorens and more.

January ’10 ran a nice story on the new studio, check it out here.

I did a quick interview for the UW Milwaukee Post about Smart Studios closing down, check it out here.

I spent a couple weeks recording a new album with the band Jaill from Milwaukee.

The album will be out on Sub Pop Records sometime in 2010.

I mixed a fabulous new EP for Noah Harris, expect to find it on vinyl soon.

I recorded drums for some new Danen Kane songs at Blast House Studios, which is becoming my new favorite drum room in Wisconsin.

I spent a day at my studio playing bass on about 6 songs for Nate Rusch. I will be mixing the album as soon as I can get to it.

I spent a couple more days with Archie Powell and the Exports, we finishing the recording phase of the album and it’s turning out great, mixing will commence soon.

I recorded a live Riverdales show in Chicago, which will hopefully be properly mixed and used for a release sometime in the future.

I also mastered projects for Kyle Feerick, Sticks n Stones and the Highball Hooligans.

December ’09

I opened up my own mixing, mastering and recording studio. It’s called The Mystery Room Mastering and Recording Company. It’s in the same room that was formerly Mastermind Productions in Milwaukee (Bayview).

Finished up most of the recording for Archie Powell and the Exports.

I flew up to Edmonton, AB Canada to play bass with Screeching Weasel.

Began recording the 5th Riverdales full-length album at Blast House Studios in Madison, WI.

I also mastered projects for Tim Schweiger, Quinn Scharber, Jonathan Burks and Sharking Hour.

November ’09

I spent a week at Howl St. with the amazing Cameron McGill and What Army. We have drums, bass and some decent guitar tracks to work with, but there is a long road ahead to finish the record.

Finished up mixing the new Tim Schweiger and the Middle Men album, should be out in early ’10.

I did a quick 2-day session at Howl Street with one of my favorites the Midwest Beat, which should produce 2 different singles due out next year.

I also started a new full-length project with Archie Powell and the Exports from Chicago, we’re about to wrap up the rest of the recording this coming week. The drums were done at an amazing new room in Madison, WI called the Blast House. Can’t say enough good things about that place.

October ’09

October was another busy month.

I finished mixing and mastering the new Trapper Schoepp and the Shades album, it’s called “Lived and Moved” and should be out in mid-November.

Played Riot Fest in Chicago with Screeching Weasel.

Helped the Highball Hooligans finish recording their record and got a good start on the mixes.

Finished the recording phase of the new Tenement record, as well as the new Tim Schweiger and the Middle Men record.

Hoping to get these mixed ASAP, they’re turning out great.

September ’09

Lotsa action going on around these parts.

Mixed and mastered the new Andy’s Automatics album “The Evergreen Motel”, which due out on Nov 27th.

I went up to Appleton to run sound for Cory Chisel’s CD release show for “Death Won’t Send a Letter“.

Did a few quick sessions with Bob Burns, and Muddy Udders, both at Howl Street Studios.

Made a bit of progress on the Ian Olvera Trio record, but we still have some finishing touches to do before I start mixing it.

Also, I did some mixing work for Banshee Music.

August ’09

The new Cory Chisel and The Wandering Sons album, which I did some mixing work for, is now out. Check it out here.

The new Dr. Frank 7″ that goes along with his new book Andromeda Klein, you can check it out here.

Spent a good chunk of August working with the Trapper Schoepp Band, Ian Olvera Trio and mixing the Andy’s Automatics new album.

I also did a few mastering projects for Direct Hit, Sleep Tight Co., Zygoteens, Drugs Dragons, Kieran Grogan and We Are Your Father.

July ’09

I got asked to do an interview on the WUWM show Lake Effect. If you click this link and scroll to the bottom you should be able to listen to it.

I mixed the new Truthdealer record, Criminal IQ records will be releasing it on 10″ vinyl later this year.

The Sugar Stems spent a few days at Howl Street recording about a dozen songs. They also recently had a nice write up in the Shepherd Express.

I mixed and mastered a full-length record for Ohio rockers Johnie 3 which will be out later this year on Knowhere Records.

The new Andy’s Automatics album “Evergreen Motel” is all recorded and ready to be mixed. Recording was finished up in Appleton, WI at Rock Garden Studios. It’s always nice to do vocals with a u47.

The Saltshakers new album is all mixed and ready to be mastered.

We redid the drums for the new Tenement record at Smart Studios, I’m definitely 100% more happy with the drums now, can’t wait to get this album done and out to the people.

I finally got a chance to get started on the new Ian Olvera album, drums were done by Adam Cargin at Howl Street Studios, I’ll be doing bass this week.

June ’09

I got a last minute call to finish up a couple songs for Cory Chisel and the Wandering Sons. Cory’s been working down in Nashville at Blackbird with Joe Chiccarelli, so it was great getting a chance to work on these songs. Thanks to Daniel at Burst HQ and J Christopher Hughes at Post Historic for the last minute studio accommodations. I’ll be mixing the last 4 songs for the record in July and it should be out on Black Seal/RCA records in the fall.

I flew down to Austin, TX for a few days to play bass for a few shows with both Screeching Weasel and the Riverdales. I never knew how crazy downtown Austin can be on any given nite. I had a chance to go up by the university and get my photo taken in front of this famous Daniel Johnston mural he did on the side of restaurant. Anyway, the shows were outside but in a covered area so it was like playing in a sauna, but it was a great time, looking forward to Chicago and LA in the fall.

I mixed one more song and mastered an EP for Breakout Division, a great rock band I met when I was in Italy last year recording a different band. Should be out in August on 7″ vinyl and digital download.

Tim Schweiger and the Middle Men came in for about a week to begin work on their next full-length. We battled van breakdowns, scheduling conflicts and a bad case of the flu, but we we’re off to a good start, sounding great so far.

The Saltshakers and Blue, Seriously have been in at Howl Street working on their new releases due out in the fall.

The Onion/Decider published a story and interview I did with them a few weeks ago.

You can see it right HERE.

Paste Magazine did a story called “TEN PERFECTLY IMPERFECT MUSICAL OUTTAKES” and it features a song I recorded for Cory Chisel and the Wandering Sons. Right up there with Bob Dylan, Ryan Adams and Eminem. The version on the Paste website is not the same version…when we were recording Cory’s live EP last year, he sprung a last minute idea on me to record a few songs while they play out in the crowd, so I grabbed the closest mic to me and put it in front of them, which is why there is also a ton of background noise (as mentioned in the article)….then the song ended up making in on the record, funny how things work sometimes.

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